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27.04 - 7.05.23

The works of Anužytė, Kovalevskij, and Juozėnas offer varying perspectives on queer identity. Anužytė's exploration of op-art delves into how this style can convey queerness and transmit messages through repeating patterns and color play. Meanwhile, Kovalevskij appropriates the act of writing and reading into everyday situations, inviting viewers to rethink their own queer identities through quick pen and marker drawings. Juozėnas' installation "Uncertainty" utilizes a regular grass genus to illustrate the indeterminacy of particles in quantum physics and in doing so, blurs the lines between the countryside and the laboratory. Together, these artists provide unique ways of thinking and presenting queerness, challenging the viewer's perception and understanding of this complex topic.

Giedre Anuzyte b. 1988 Klaipėda, Lithuania. Lives and works between Vilnius, Palanga, and Spain. Her art invites viewers to contemplate the interplay between shape, color, and the mind and how it affects our mental state. Her creative pursuits have spanned various disciplines, including textile, costume design, fine arts, and body mechanics while exploring color and space. A recent project mainly based on her approach to mental health, where she has developed her methods to create a meditative and calming process while exploring painting as a craft. She is generally very interested in repetitive and tedious processes, which leads to creative decision-making.

Vytautas Kazimieras Juozėnas - researcher of analogue processes, representative of visual art. In 2015 he graduated from the Vilnius Academy of Arts with a Master's degree in Photography and Media Art. One of the founders of the analogue film Spongė laboratory. Currently he works in different creative projects, teaches educational classes, produces electronic music and is one of the inventors of the Samopal System sound system.

Vsevolod Kovalevskij b. 1988 Vilnius, Lithuania. Lives and works between Vilnius, Oslo and London. They practice is based on critical thought and humour by which they are rethinking ever changing human condition, their works are driven by research of collective /individual memory/ies, empathic studies and in that they creates tools to better question conditions of ones surrounding. This results in process-based installations, video works, objects that establish a relationship between the active spectator, the artist and members of the broader community.

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